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I bought this book a few months ago and managed to finish it a few days after buying it. It was an intense but a good read altogether although the approach, the style of writing is quite academic, necessary, from my point of view, for a book which chronicled the world's most notorious music since the formation of the hexachord system by Guido of Arezzo, which spurred the unearthing of the satanic chords (diabolus in musica) way back in the 18th century, to be taken seriously. The music they call Black Metal. It requires a tune so that people will take the book seriously.

I have been listening to this kind of tune since primary school and the one accountable for introducing me to this music was not any of my friends or older relatives, but a local Malaysian tabloid. Untarnished still in my hazy remembrance, I was quite captivated by this diabolical music through an article in that particular tabloid that did a 2-page special report on the subject, complete with cool pictures and band logos. They even listed all these so called satanic rock bands for my trouble-free reference. And that was in 1995 if my memory serves me correctly.

I was very inquisitive and very much the curious cat. It was like a giant whirlpool sucking me in and there were no ways for me to escape these enthralling madness of sorrow, supremacy and extreme aggressiveness. I got to try this, I said to myself. It took me no more than 5 second to convert myself from a nerd into a metal and hard rock listening nerd. Still a nerd but a different kind of nerd. It took me no more than the next week later for me to buy my first record. Talk about ultra influential. I have been a devoted fan and an avid listener ever since. I live happily ever after and my life has never been the same again.

Enough about my metal fairy tale and lets check this book out. Since the orientation of this book is quite academic, the read was quite deep, hectic and more often than not, quite tiring since the authors have widened their extent of investigation beyond the musician and its miniature circle. This includes outsiders who were directly involved with the satanic scene. Thus giving the reader more elaborative facts from different perspectives and distinguished angles.

Although there are several general issues covered and discussed by the authors, I can see that the reason for the publication of this book was more towards exploiting the notoriety of the Norwegian Black Metal scene, the birthplace of what was known to be as the second wave of Black Metal (Mayhem, Burzum, Dark Throne, Immortal, Emperor, Enslaved are all Norwegian bands). A chunk of pages was dedicated to its early inception, the power struggle, suicide, the murders and the church burnings, which all in fact happened in Norway. In case you do not know, Black Metal was once Norway's main export. Black metal bands being nominated in the Norwegian Grammy is quite normal there. I would like to see that kind of openness here.

Two of the most important individuals, highly influential to the early inception of Satanic Black Metal in Norway, Oysten Aarseth aka Euronymous and Varg Vikernes aka Count Grishnackh, were heavily dealt with in one of its chapters. Besides touching on the history or the early development of the Black Metal sound, the book also features interviews with who's who from the scene (the infamous members of the Inner Circle. the Black Metal Mafia as the Norwegian press called it) and quite elaborative on the music's influence through out the world.

It is a good read, highly recommended to those who really want to dig deep into the music judging the music by its cover, since Malaysia had (still having) her fair share of controversy (known worldwide, even Ian Christe mentioned the conservativeness of Malaysia in his book, Sound of the Beast. Maybe we do live on trees) with regard to this highly intolerable form of entertainment (yes, entertainment. Intolerable but still entertainment).

I write about heavy metal music in an obscure land called Malaysia. Help me make my writing better. visit my blog: http://www.thebulletbelt.blogspot.com

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The Naked Brothers Band: Battle Of The Bands $10.99 Synopsis: Join Nat, Alex and the Band in a one hour special, The Naked Brothers Band: Battle of the Bands, as they sign up for a battle of the bands charity event. As if battling one of the coolest bands around isn't enough, now Nat has to compete with the other band's lead singer for Rosalina's heart! You won't want to miss a second of this hilarious never before seen music adventure. Format: DVD Color: Color Rating: Not Rated Genre: TV Series Runtime: 70 Year: 2007 Release Date: 2007-09-04

Naked Brothers Band: Battle Of Bands $9.76 Rated: NRSynopsis: Join Nat, Alex and the Band in a one hour special, The Naked Brothers Band: Battle of the Bands, as they sign up for a battle of the bands charity event. As if battling one of the coolest bands around isn’t enough, now Nat has to compete with the other band’s lead singer for Rosalina’s heart! You won’t want to miss a second of this hilarious never before seen music adventure. Available on DVD September 4th!

Battle of the Bands $14.38 To win a local Battle of the bands contest, 13-year-old Willie persuades Carl Montana, a great guitar player, to join his band, The Screaming Idiots. But he sets off a chain reaction of crazy mix-ups. Can Willie and his friends straighten everything out in time?

Jam Bands $11.95 The first all-encompassing guide to the imrovisational rock music scene and the emerging wave of improvisational music now thriving in North America. The book spans the continent, identifying more than 175 of the most noteworthy jam bands. Each entry includes photos, biographies, discographies, personal insights from band members, web site listings, and descriptions and analyses of each group's distinctive musical styles and talents. Additionally, since all the profiled bands encourage live taping, Jam Bands offers a section devoted to the art of recording concerts and building a live-music library. Written by noted live-music fanatic and taper Dean Budnick, Jam Bands is sure to please both long-time devotees of the jam band scene and new initiates as well. From Aquarium Rescue Unit to Zero, with stops along the way for Medeski, Martin & Wood, Rusted Root, Strangefolk, and String Cheese Incident, Jam Bands will reacquaint readers with cherished groups and introduce new favourites, while unlocking the mysteries of taping.

Bands of Sisters $64.99 .cs95E872D0{text-align:left;text-indent:0pt;margin:0pt 0pt 0pt 0pt} .cs5EFED22F{color:#000000;background-color:transparent;font-family:Times New Roman; font-size:12pt; font-weight:normal; font-style:normal; } During World War II, the U.S. military employed all-female bands to support bond drives. These bands drew such attention that they were placed on tour, raising money for the war and boosting morale. Even after the war ended, the bands would last for some 60 years. Based on Jill Sullivan's interviews with over 70 surviving band members, Bands of Sisters: U.S. Women's Military Bands during World War II tells the tale of this remarkable period in the history of American women. The opportunities presented by military service inevitably promoted new perspectives on what women could accomplish outside of the home, resulting in a lifetime of lasting relationships that would inspire future generations of musicians.

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Tube-Tech SMC 2B Stereo Multi-Band Compressor $4463.55 The rackmount Tube-Tech SMC 2B Stereo Multiband Compressor is an all tube-based compressor that adds the warmth of vintage quality masters to your mix. If you've heard records by Beck, Offspring, Rufus Wainright, and All American Rejects, you'll find a Tube-Tech SMC 2B Multi-band compressor in the hands of Joe Chiccarelli strapped across the stereo bus. Tube-Tech SCM 2B Stereo Multi-band Compressor, First Take: Multi-bandband compression and variable crossover points let you craft your overall mix Three independent stereo optocompressors Flat frequency response across all three bands Balanced I/O and floating transformers Variable Crossover the Tube-Tech SCM 2B's variable crossover points ensure precise control with all three bands of optocompression. Independent band specific Threshold, Ratio, Attack, Release & Gain parameters make the SMC 2B as flexible as it is accurate. For example, a stereo compressor can squash and muddy the midrange of rock records. With the SMC 2B, you can add just the slightest compression to the midrange where the guitars live to keep them vibrant and lively. The adjustable crossover points allows you to set the low-frequency range so that the bass on dance tracks won't get over-compressed. Three Stereo Optocompressors The Tube-Tech SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. The signal is divided into three bands (Low, Mid & High) by 6 dB/octave x-over networks with variable frequencies: 60-1200 Hz for Low/Mid band and 1,2-6 kHz for the Mid/High band. Flat Frequency Response The design of the crossover networks optimizes the summing of all three bands, resulting in a flat frequency response (within +/-0.25 dB), when the gain controls for each band are set at the same level. The three compressors feature Threshold, Ratio, Attack, Release and Gain and a display showing gain reduction. Master levels are set with Output Gain and Balance controls. Balanced I/O and Floating Transformers Both Input and Output are balanced and have fully floating transformers with a static screen, which provides the greatest amount of electronic isolation for elimination of ground loops, resulting in super-quiet operation. The power supply and the sidechain circuit are based on a solid state circuit. With the exception of the output stage all DC voltages are stabilized. About Tube-Tech For over twenty years, Tube Tech has been one of the most prominent names in all-tube signal processing equipment. You'll find their gear in the best recording and mastering studios around the world. The company's founder, John Petersen is an electrical engineer who was factory trained at Solid State Logic, EMT, Studer, Sony, Neumann, and NTP Electonik (digital audio routers). He also designed tape recorder playback/recording amps for Lyrec tape recorders (found in the studios of the legendary Joe Meek and Vangelis). His first design under the name of Tube-Tech was an all-tube equalizer based on the

Tube-Tech Smc 2B Stereo Multi-Band Compressor $4905 The rackmount Tube-Tech SMC 2B Stereo Multiband Compressor is an all tube-based compressor that adds the warmth of vintage quality masters to your mix. If you've heard records by Beck, Offspring, Rufus Wainright, and All American Rejects, you'll find a Tube-Tech SMC 2B Multi-band compressor in the hands of Joe Chiccarelli strapped across the stereo bus. Tube-Tech SCM 2B Stereo Multi-band Compressor, First Take: Multi-bandband compression and variable crossover points let you craft your overall mix Three independent stereo optocompressors Flat frequency response across all three bands Balanced I/O and floating transformers Variable Crossover the Tube-Tech SCM 2B's variable crossover points ensure precise control with all three bands of optocompression. Independent band specific Threshold, Ratio, Attack, Release & Gain parameters make the SMC 2B as flexible as it is accurate. For example, a stereo compressor can squash and muddy the midrange of rock records. With the SMC 2B, you can add just the slightest compression to the midrange where the guitars live to keep them vibrant and lively. The adjustable crossover points allows you to set the low-frequency range so that the bass on dance tracks won't get over-compressed. Three Stereo Optocompressors The Tube-Tech SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. The signal is divided into three bands (Low, Mid & High) by 6 dB/octave x-over networks with variable frequencies: 60-1200 Hz for Low/Mid band and 1,2-6 kHz for the Mid/High band. Flat Frequency Response The design of the crossover networks optimizes the summing of all three bands, resulting in a flat frequency response (within +/-0.25 dB), when the gain controls for each band are set at the same level. The three compressors feature Threshold, Ratio, Attack, Release and Gain and a display showing gain reduction. Master levels are set with Output Gain and Balance controls. Balanced I/O and Floating Transformers Both Input and Output are balanced and have fully floating transformers with a static screen, which provides the greatest amount of electronic isolation for elimination of ground loops, resulting in super-quiet operation. The power supply and the sidechain circuit are based on a solid state circuit. With the exception of the output stage all DC voltages are stabilized. About Tube-Tech For over twenty years, Tube Tech has been one of the most prominent names in all-tube signal processing equipment. You'll find their gear in the best recording and mastering studios around the world. The company's founder, John Petersen is an electrical engineer who was factory trained at Solid State Logic, EMT, Studer, Sony, Neumann, and NTP Electonik (digital audio routers). He also designed tape recorder playback/recording amps for Lyrec tape recorders (found in the studios of the legendary Joe Meek and Vangelis). His first design under the name of Tube-Tech was an all-tube equalizer based on the

Used Tube-Tech Smc 2B Stereo Multi-Band Compressor $4463.55 The rackmount Tube-Tech SMC 2B Stereo Multiband Compressor is an all tube-based compressor that adds the warmth of vintage quality masters to your mix. If you've heard records by Beck, Offspring, Rufus Wainright, and All American Rejects, you'll find a Tube-Tech SMC 2B Multi-band compressor in the hands of Joe Chiccarelli strapped across the stereo bus. Tube-Tech SCM 2B Stereo Multi-band Compressor, First Take: Multi-bandband compression and variable crossover points let you craft your overall mix Three independent stereo optocompressors Flat frequency response across all three bands Balanced I/O and floating transformers Variable Crossover the Tube-Tech SCM 2B's variable crossover points ensure precise control with all three bands of optocompression. Independent band specific Threshold, Ratio, Attack, Release & Gain parameters make the SMC 2B as flexible as it is accurate. For example, a stereo compressor can squash and muddy the midrange of rock records. With the SMC 2B, you can add just the slightest compression to the midrange where the guitars live to keep them vibrant and lively. The adjustable crossover points allows you to set the low-frequency range so that the bass on dance tracks won't get over-compressed. Three Stereo Optocompressors The Tube-Tech SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. The signal is divided into three bands (Low, Mid & High) by 6 dB/octave x-over networks with variable frequencies: 60-1200 Hz for Low/Mid band and 1,2-6 kHz for the Mid/High band. Flat Frequency Response The design of the crossover networks optimizes the summing of all three bands, resulting in a flat frequency response (within +/-0.25 dB), when the gain controls for each band are set at the same level. The three compressors feature Threshold, Ratio, Attack, Release and Gain and a display showing gain reduction. Master levels are set with Output Gain and Balance controls. Balanced I/O and Floating Transformers Both Input and Output are balanced and have fully floating transformers with a static screen, which provides the greatest amount of electronic isolation for elimination of ground loops, resulting in super-quiet operation. The power supply and the sidechain circuit are based on a solid state circuit. With the exception of the output stage all DC voltages are stabilized. About Tube-Tech For over twenty years, Tube Tech has been one of the most prominent names in all-tube signal processing equipment. You'll find their gear in the best recording and mastering studios around the world. The company's founder, John Petersen is an electrical engineer who was factory trained at Solid State Logic, EMT, Studer, Sony, Neumann, and NTP Electonik (digital audio routers). He also designed tape recorder playback/recording amps for Lyrec tape recorders (found in the studios of the legendary Joe Meek and Vangelis). His first design under the name of Tube-Tech was an all-tube equalizer based on the

Tube-Tech Smc 2Bm Mastering Multi-Band Compressor $6480 The Tube-Tech SMC 2BM is the only all-tube based stereo mastering compressor that features multiband compression. Designed specifically for mastering, it offers Tube-Tech's renowned sound quality and precision, plus greater flexibility for the mastering engineer. Based on Tube-Tech's SMC 2B, the SMC 2BM adds matched resistor level controls for precise replication of previously used settings. The 12 step-matched resistor gain controls on the SMC 2BM guarantee channel to channel and recall accuracy within 0.1 dB. Side-chain controls employ 31-detent potentiometers. The unit includes variable crossover points for precise control of all three bands of opto-compression. Independent band-specific threshold, ratio, attack, release and gain parameters make the unit flexible, as well as accurate. Tube-Tech SMC 2BM Stereo Multiband Compressor, First Take:Three independent optical stereo compressors3-bands with adjustable crossover pointsBalanced I/O and Floating TransformersThree Independent Optical Stereo CompressorsThe rackmount Tube-Tech SMC 2BM Stereo Multiband Compressor features three independent optical stereo compressors. The three compressors feature Threshold, Ratio, Attack, Release, and Gain controls, and a display showing gain reduction. Master levels are set with Output Gain and Balance controls. Three bands with Adjustable Crossover PointsThe signal is divided into three bands (Low, Mid & High) by 6dB/octave crossover networks with 12 selectable frequencies: 60 - 1200Hz for Low/Mid band and 6 selectable frequencies: 1.2 - 6.0 Hz for the Mid/High band. The design of the crossover networks optimizes the summing of all three bands, resulting in a flat frequency response (within +/-0.25 dB), when the gain controls for each band are set at the same level. The two crossover frequencies are made with a single RC circuit thereby preserving optimum summation of the three bands at the output. Balanced I/O and Floating TransformersBoth Input and Output are balanced and have fully floating transformers with a static screen. This provides maximum electronic isolation for superior noise rejection. The power supply and the sidechain circuit are based on a solid state circuit. With the exception of the output stage all DC voltages are stabilized.About Tube-TechFor over twenty years, Tube Tech has been one of the most prominent names in all-tube signal processing equipment. You'll find their gear in the best recording and mastering studios around the world. The company's founder, John Petersen is an electrical engineer who was factory trained at Solid State Logic, EMT, Studer, Sony, Neumann, and NTP Electonik (digital audio routers). He also designed tape recorder playback/recording amps for Lyrec tape recorders (found in the studios of the legendary Joe Meek and Vangelis). His first design under the name of Tube-Tech was an all-tube equalizer based on the legendary Pultec EQP 1A. Petersen continued to design and manufacture a number of innovative all-tub

Drawmer S3 Multi-Band Stereo Tube Compressor $5450 The Drawmer S3 Multi-Band Stereo Tube Compressor offers previously unattainable control and tonality over each of the three bands. Gain control at each stage provides precise spectral balancing. The signal path consists of high performance input/output transformers, passive components and 10 tubes: 8 ECC83 and 2 12BH7 configured as a fully balanced Class A design. Because the LDR ' s (Light Dependent Resistors) in the compressors are temperature sensitive the Drawmer S3 houses an ' electronic oven ' which provides and sustains the optimum LDR operating temperature - thereby maintaining calibration accuracy and improving performance. The S3 stereo tube compressor ' s front panel LED indicates temperature status. Large-scale VU meters are switchable to ' Peak ' mode to show transient information. Two further VU meter re-scale modes are available (+10dB and +20dB) to accurately display the S3 compressor ' s ability to output levels of up to +30dBm. The Drawmer S3 Multi-Band Stereo Tube compressor has a master output section that includes controls for both Gain and stereo balance to compensate for source material with a Left/Right imbalance or disproportionate processing. Mix saving/enhancing features: V-Big & V-Air Among the unique features of the Drawmer S3 that can truly put a mix over the top, are its V-Big and V-Air functions. In a nutshell, V-Big is a variable filter that controls how much low end information is visible to the S3 ' s RMS detectors, so that extreme bass energy doesn ' t pull down the entire mix; and V-Air, which, as its name implies, lets you control the ever-popular "air" that makes vocals and recordings in general sound expensive. V-BIG Unlike previous Drawmer compressors the S2 V-Big control is fully variable allowing complete and subtle adjustments to the perceived level of bass, and the control of ‘pumping" and ducking that occurs. Frequency: 75, 125, 250 Hz: Sets the frequency that the ‘V-Big" control operates at, enabling the engineer to target a specific bass frequency. Level: -10 - +10: With the control set in a positive position the side chain ' s sensitivity to low frequencies is reduced, with the result that less gain reduction is applied to those frequencies, creating the effect that the bass is louder or ' bigger ' . It also has the benefit of reducing the ducking and pumping effect that occurs by high frequencies being ' pulled down ' in sync with the bass, helping to make mix compression much more affable. If set in a negative position the opposite occurs i.e. with bass frequencies being quieter and pumping increased. At the 0 position the ‘V-Big" control is effectively off. V-AIR V(ariable)-Air is used to manipulate the high end of an audio signal so that it sounds more intimate, detailed and transparent, but without making it sound harsh or introducing any noticeably unnatural artifacts. Cymbals are more vibrant without becoming splashy, and vocals sound more open but without

Tube-Tech MMC 1A Mic Preamp and Multi-Band Compressor $4590 The Tube-Tech MMC 1A, fast becoming a favorite of certain world-class producers, is a very unique unit in a sea of me-too channels strips. Along with a phenomenal-sounding tube preamp, it features an optocompressor with three bands, low, mid, and high, and adjustable crossover points so yo can compress each band individually. This allows you to tailor compression for problem solving or to create a vocal track that's truly larger than life. Thanks to its variable crossovers, you can use it to add body to thin vocals, allow the top end to open up during soft passages, reduce harsh midrange without losing lows and highs, tame highs without losing clarity for a more intimate sound, and all the while, save EQ for other purposes.Tube-Tech MMC 1A Preamp and Mulitband CompressorChannel strip with all-tube preamp and three-band compressorVariable impedance preamp with +70dB gain3-band compressor with variable crossover pointsBalanced and fully floating I/OChannel Strip With All-Tube Preamp And Three-Band CompressorThe Tube-Tech MMC 1A is a complete front-end. It includes an additional Direct Instrument input as well as a separate line input. The microphone input has switchable loading impedance, phantom power, phase reversal and a 20 dB Pad. All inputs are equipped with a low-cut filter. The 3-band optical compressor is designed to maintain optimum summing of all three bands with a remarkably flat frequency response. A bypass switch takes the entire compressor out of the signal path.Mic PreamplifierThe microphone preamplifier consists of a microphone input transformer (with a static screen) with a step-up of +10 dB, two dual tube preamplifiers with a stepped gain switch, with 10dB/step (+20 dB - +60 dB) giving a total gain range of +20dB to +70dB. The microphone input is provided with a switchable -20dB attenuation (PAD), switchable +48V phantom-power, a phase reverse and has swithable input impedance (600, 1200, 2400 Ohm). The high impedance DI input is unbalanced and placed in the circuit directly after the input transformer. The gain range for this input is +10dB to +60dB. When in use, the microphone input is disabled. A high pass filter for the microphone, DI and line input is switchable between off, 20 Hz (12dB/octave) and 40 Hz (6dB/octave). All inputs have a common stepped gain switch with 2dB/step (-10dB - +10dB).CompressorThe signal is fed to the two crossover networks, each made with a single RC circuit thereby preserving optimum summation of the three bands at the output.The crossover frequency between the low band and the mid band is variable from 60Hz to 300Hz or 240Hz to1200Hz and the crossover frequency between mid band and the high band is variable from 1,2kHz to 6kHz. The signals from the three bands are then fed to the three separate side chain circuits, each common for left and right channel. After processing, the three signals are fed to a gain control, separate for each band and thereafter summed and send to the output gain, controlli

Tube-Tech Mmc 1A Mic Preamp And Multi-Band Compressor $4590 The Tube-Tech MMC 1A, fast becoming a favorite of certain world-class producers, is a very unique unit in a sea of me-too channels strips. Along with a phenomenal-sounding tube preamp, it features an optocompressor with three bands, low, mid, and high, and adjustable crossover points so yo can compress each band individually. This allows you to tailor compression for problem solving or to create a vocal track that's truly larger than life. Thanks to its variable crossovers, you can use it to add body to thin vocals, allow the top end to open up during soft passages, reduce harsh midrange without losing lows and highs, tame highs without losing clarity for a more intimate sound, and all the while, save EQ for other purposes.Tube-Tech MMC 1A Preamp and Mulitband CompressorChannel strip with all-tube preamp and three-band compressorVariable impedance preamp with +70dB gain3-band compressor with variable crossover pointsBalanced and fully floating I/OChannel Strip With All-Tube Preamp And Three-Band CompressorThe Tube-Tech MMC 1A is a complete front-end. It includes an additional Direct Instrument input as well as a separate line input. The microphone input has switchable loading impedance, phantom power, phase reversal and a 20 dB Pad. All inputs are equipped with a low-cut filter. The 3-band optical compressor is designed to maintain optimum summing of all three bands with a remarkably flat frequency response. A bypass switch takes the entire compressor out of the signal path.Mic PreamplifierThe microphone preamplifier consists of a microphone input transformer (with a static screen) with a step-up of +10 dB, two dual tube preamplifiers with a stepped gain switch, with 10dB/step (+20 dB - +60 dB) giving a total gain range of +20dB to +70dB. The microphone input is provided with a switchable -20dB attenuation (PAD), switchable +48V phantom-power, a phase reverse and has swithable input impedance (600, 1200, 2400 Ohm). The high impedance DI input is unbalanced and placed in the circuit directly after the input transformer. The gain range for this input is +10dB to +60dB. When in use, the microphone input is disabled. A high pass filter for the microphone, DI and line input is switchable between off, 20 Hz (12dB/octave) and 40 Hz (6dB/octave). All inputs have a common stepped gain switch with 2dB/step (-10dB - +10dB).CompressorThe signal is fed to the two crossover networks, each made with a single RC circuit thereby preserving optimum summation of the three bands at the output.The crossover frequency between the low band and the mid band is variable from 60Hz to 300Hz or 240Hz to1200Hz and the crossover frequency between mid band and the high band is variable from 1,2kHz to 6kHz. The signals from the three bands are then fed to the three separate side chain circuits, each common for left and right channel. After processing, the three signals are fed to a gain control, separate for each band and thereafter summed and send to the output gain, controlli

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Peticure Evolution Filing Bands $2.99 Evolution Filing Bands To keep your Elite or Petite Rotary Nail File in top condition, you should change the filing band periodically. The surface of a filing band wears with use, so it's a good idea to stock up on replacements. Package contains six (6) replacement bands.

PreSonus Firestudio Tube $599.99 The FireStudio Tube is a complete 24-bit/96kHz professional FireWire recording system loaded with a comprehensive combination of inputs and outputs for bands, producers, musicians, and engineers to produce commercial-quality recordings.Note:As of 5/26/09, you can make your FireStudio Tube 64-bit compatible via a PreSonus web update.Two SuperChannels - Tube Preamplifiers with LimiterThe front panel of the FireStudio Tube is loaded with two "SuperChannels" featuring Class-A vacuum tube microphone and instrument preamplifiers, along with full-featured analog limiters.The tube preamplifiers use a high gain, military grade 12AX7 tube for maximum gain, low noise, and high headroom. Neutrik combo connectors allow both XLR microphone input and hi-Z instrument input. Preamp controls include preamp gain and tube drive to achieve a wide range of sounds from smooth, clean and clear, to warm tube saturation. An 80Hz high pass filter is also located on the front panel to remove room rumble and unwanted lows.The FireStudio Tube's Limiter features a VCA-based, ultra-fast RMS and peak detection circuit used in the award-winning DigiMax 96K, delivering the most musical limiter available; able to catch the fastest transients eliminating the possibility of clipping during recording while maintaining musicality. Controls for the Limiter include Threshold and Gain make-up as well as an in/out button.Fast-acting LED metering on the front panel displays preamp input and limiter gain reduction for the two tube SuperChannels.Perfect I/O for Music ProductionThe FireStudio Tube delivers all the analog I/O needed for professional recording sessions, featuring 16 analog inputs including two tube SuperChannels on the front panel, as well as eight Class-A XMAX microphone preamplifiers and six balanced TRS line inputs on the rear panel. Outputs include eight balanced TRS outputs and PreSonus' signature ultra loud and clear headphone output. MIDI I/O is also included on the rear panel for MIDI instruments, keyboards, and controllers. The FireStudio Tube's combination of microphone, instrument, and line inputs is perfect for a band to simultaneously record drums, bass, guitar, vocals, and keyboards without any additional preamplifiers.DSP Mixer/RouterThe FireStudio Tube includes PreSonus' 16x10 FireControl mixer/router delivering up to five zero-latency custom monitor mixes easily and quickly.Digital Converters and JetPLL SyncThe FireStudio Tube touts A/D/A converters with a dynamic range of over 114dB for unbelievable clarity as well as synchronization using patented JetPLL jitter reduction technology. JetPLL incorporates noise shaping to virtually remove all audio band jitter, ensuring the highest converter performance possible, resulting in better stereo separation and clearer more transparent audio. It delivers ultra-fast locking to any digital format through a wide range of frequencies, and is extremely robust and tolerant of wide variations in clock frequencies. JetPLL ensur

Refurbished Presonus Firestudio Tube $599.99 The FireStudio Tube is a complete 24-bit/96kHz professional FireWire recording system loaded with a comprehensive combination of inputs and outputs for bands, producers, musicians, and engineers to produce commercial-quality recordings.Note:As of 5/26/09, you can make your FireStudio Tube 64-bit compatible via a PreSonus web update.Two SuperChannels - Tube Preamplifiers with LimiterThe front panel of the FireStudio Tube is loaded with two "SuperChannels" featuring Class-A vacuum tube microphone and instrument preamplifiers, along with full-featured analog limiters.The tube preamplifiers use a high gain, military grade 12AX7 tube for maximum gain, low noise, and high headroom. Neutrik combo connectors allow both XLR microphone input and hi-Z instrument input. Preamp controls include preamp gain and tube drive to achieve a wide range of sounds from smooth, clean and clear, to warm tube saturation. An 80Hz high pass filter is also located on the front panel to remove room rumble and unwanted lows.The FireStudio Tube's Limiter features a VCA-based, ultra-fast RMS and peak detection circuit used in the award-winning DigiMax 96K, delivering the most musical limiter available; able to catch the fastest transients eliminating the possibility of clipping during recording while maintaining musicality. Controls for the Limiter include Threshold and Gain make-up as well as an in/out button.Fast-acting LED metering on the front panel displays preamp input and limiter gain reduction for the two tube SuperChannels.Perfect I/O for Music ProductionThe FireStudio Tube delivers all the analog I/O needed for professional recording sessions, featuring 16 analog inputs including two tube SuperChannels on the front panel, as well as eight Class-A XMAX microphone preamplifiers and six balanced TRS line inputs on the rear panel. Outputs include eight balanced TRS outputs and PreSonus' signature ultra loud and clear headphone output. MIDI I/O is also included on the rear panel for MIDI instruments, keyboards, and controllers. The FireStudio Tube's combination of microphone, instrument, and line inputs is perfect for a band to simultaneously record drums, bass, guitar, vocals, and keyboards without any additional preamplifiers.DSP Mixer/RouterThe FireStudio Tube includes PreSonus' 16x10 FireControl mixer/router delivering up to five zero-latency custom monitor mixes easily and quickly.Digital Converters and JetPLL SyncThe FireStudio Tube touts A/D/A converters with a dynamic range of over 114dB for unbelievable clarity as well as synchronization using patented JetPLL jitter reduction technology. JetPLL incorporates noise shaping to virtually remove all audio band jitter, ensuring the highest converter performance possible, resulting in better stereo separation and clearer more transparent audio. It delivers ultra-fast locking to any digital format through a wide range of frequencies, and is extremely robust and tolerant of wide variations in clock frequencies. JetPLL ensur

Sports Wrist Support Wrap Bands Band $7.99 Features:The wrist support provides firm support to your wristThis Sports Wrist Support helps prevent and treat injuries, keep moisture away.This Wrist Bands can offer effective support and warmth keeping for chronic arthritis patientThis Wrist Band suitable for all sports and athletic activitiesThe Wrist Wrap easy to wear

Triangle Bands Game $9.99 Difficulty Level: Level 1 of 5 The game includes a peg board and lots of rubber bands. Two players take turns to place their rubber band on board the one who forms a triangle first with his rubber bands wins. Type: Puzzles & Logic Games

Bands $10 Bands - YC

42549 - Antimicrobial Rubber Bands $2.45 latex-free Rubber Bands Feature An Antimicrobial Compound That Inhibits The Growth Of Microorganisms And Protects The Rubber Bands From Contamination And Early Deterioration. Antimicrobial Compound Does Not Protect From Food Borne Or Disease Causing Microorganisms. Rubber Bands Contain No Natural Rubber Proteins And Are 100 Percent Latex-free. High Quality Rubber Band Delivers A Soft Stretch For Stress-free Application. [A642549] Assembly Required UPC: 071815425494 UNSPC: 44122101 0.35 LB

Bands On The Run Rubber Band Movie $9.38 Rated: NRSynopsis: NA

Musical Instruments, Band, Bands, Kit, Drums, Percussion, Double Bass, Music $19.99 Musical Instruments, Band, Bands, Kit, Drums, Percussion, Double Bass, Music - Photographic Print

Overhead View of Marching Band Maneuvers During Bands of America $69.99 Alfred Eisenstaedt Overhead View of Marching Band Maneuvers During Bands of America - Photographic Print

Marching Band Going Through Their Routines During Bands of America $79.99 Alfred Eisenstaedt Marching Band Going Through Their Routines During Bands of America - Premium Photographic Print

Thera-Band Exercise Tube Refill Kit, Heavy $19.27 Features of the Thera-Band Exercise Tube Refill Kit: Heavy kit includes one black 5' tube and one silver 5' tube.

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